GENTILESCHI, Orazio
Italian Baroque Era Painter, ca.1563-1639 Although he was eight years older than Caravaggio, he is nevertheless regarded as a Caravaggesque artist, so deeply was his mature style affected by his knowledge of the younger painter's art. His response to Caravaggio was intensely poetic, and none of Caravaggio's many gifted followers produced more beautiful pictures.
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GENTILESCHI, Orazio Joseph and Potiphar's Wife (detail) dsg oil painting


Joseph and Potiphar's Wife (detail) dsg
1626-30 Oil on canvas, 204,9 x 261,9 cm (whole painting) Royal Collection, Windsor
Painting ID::  6835 		GENTILESCHI, Orazio
Joseph and Potiphar's Wife (detail) dsg
1626-30 Oil on canvas, 204,9 x 261,9 cm (whole painting) Royal Collection, Windsor
   
   
     
GENTILESCHI, Orazio Two Women with a Mirror fge oil painting


Two Women with a Mirror fge
Oil on canvas, 132,7 x 154 cm Alte Pinakothek, Munich
Painting ID::  6825 		GENTILESCHI, Orazio
Two Women with a Mirror fge
Oil on canvas, 132,7 x 154 cm Alte Pinakothek, Munich
   
   
     
GENTILESCHI, Orazio Annunciation seyh oil painting


Annunciation seyh
c. 1623 Oil on canvas, 286 x 196 cm Galleria Sabauda, Turin
Painting ID::  6826 		GENTILESCHI, Orazio
Annunciation seyh
c. 1623 Oil on canvas, 286 x 196 cm Galleria Sabauda, Turin
   
   
     
GENTILESCHI, Orazio Sts Cecilia, Valerianus and Tiburtius dfgj oil painting


Sts Cecilia, Valerianus and Tiburtius dfgj
c. 1620 Oil on canvas, 350 x 218 cm Pinacoteca di Brera, Milan
Painting ID::  6827 		GENTILESCHI, Orazio
Sts Cecilia, Valerianus and Tiburtius dfgj
c. 1620 Oil on canvas, 350 x 218 cm Pinacoteca di Brera, Milan
   
   
     
GENTILESCHI, Orazio Cupid and Psyche dfhh oil painting


Cupid and Psyche dfhh
1628-30 Oil on canvas, 137 x 160 cm The Hermitage, St. Petersburg
Painting ID::  6828 		GENTILESCHI, Orazio
Cupid and Psyche dfhh
1628-30 Oil on canvas, 137 x 160 cm The Hermitage, St. Petersburg
   
   
     
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     GENTILESCHI, Orazio
     Italian Baroque Era Painter, ca.1563-1639 Although he was eight years older than Caravaggio, he is nevertheless regarded as a Caravaggesque artist, so deeply was his mature style affected by his knowledge of the younger painter's art. His response to Caravaggio was intensely poetic, and none of Caravaggio's many gifted followers produced more beautiful pictures.

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