Fra Angelico
Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.

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Fra Angelico Story of St Nicholas oil painting


Story of St Nicholas
1437 Tempera on wood, 34 x 60 cm
Painting ID::  52076
Fra Angelico
Story of St Nicholas
1437 Tempera on wood, 34 x 60 cm
   
   
     

Fra Angelico Story of St Nicholas oil painting


Story of St Nicholas
1437 Tempera on wood, 34 x 60 cm
Painting ID::  52077
Fra Angelico
Story of St Nicholas
1437 Tempera on wood, 34 x 60 cm
   
   
     

Fra Angelico Annalena Altarpiece oil painting


Annalena Altarpiece
1437-40 Tempera on wood, 180 x 202 cm
Painting ID::  52079
Fra Angelico
Annalena Altarpiece
1437-40 Tempera on wood, 180 x 202 cm
   
   
     

Fra Angelico Presentation of Jesus in the Temple oil painting


Presentation of Jesus in the Temple
1440-41 Fresco, 158 x 136 cm
Painting ID::  52082
Fra Angelico
Presentation of Jesus in the Temple
1440-41 Fresco, 158 x 136 cm
   
   
     

Fra Angelico Communion of the Apostles oil painting


Communion of the Apostles
1451-53 Tempera on wood, 38,5 x 37 cm
Painting ID::  52084
Fra Angelico
Communion of the Apostles
1451-53 Tempera on wood, 38,5 x 37 cm
   
   
     

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     Fra Angelico
     Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.

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