Elias Martin
Swedish Painter, 1739-1818,Painter and engraver. After training in his father joinery shop and with the painter Friedrich Schultz (1709-69), he was engaged to design ornamentation for ships of the coastal fleet at Sveaborg (Finland). There he also taught drawing to the son of Field Marshal Count Augustin Ehrensv?rd (1710-72) while himself learning printmaking techniques from the Field Marshal. During this period Martin produced accurate studies of Finland coastal scenery and the Sveaborg fortress (e.g. Stockholm, Nmus.), as well as purely imaginary landscapes based on engravings. In 1766 he went to Paris and with Alexander Roslin help was able to study under Joseph Vernet at the Acad?mie Royale de Peinture et de Sculpture. A direct result of his studies was a View of Paris from the Quay Beneath the Pont Neuf (1766-7; Stockholm, Nmus.).

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Elias Martin Kopparstickaren Johan Peace Martini pa esplanade with its wife Enema blyertsteckning oil painting


Kopparstickaren Johan Peace Martini pa esplanade with its wife Enema blyertsteckning
mk198 17x21cm Nationalmuseum,Stockholm
Painting ID::  49506
Elias Martin
Kopparstickaren Johan Peace Martini pa esplanade with its wife Enema blyertsteckning
mk198 17x21cm Nationalmuseum,Stockholm
   
   
     

Elias Martin gustaf  III besoker konstakademien oil painting


gustaf III besoker konstakademien
1780-1782. olja på duk, 99x165cm se
Painting ID::  68555
Elias Martin
gustaf III besoker konstakademien
1780-1782. olja på duk, 99x165cm se
   
   
     

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     Elias Martin
     Swedish Painter, 1739-1818,Painter and engraver. After training in his father joinery shop and with the painter Friedrich Schultz (1709-69), he was engaged to design ornamentation for ships of the coastal fleet at Sveaborg (Finland). There he also taught drawing to the son of Field Marshal Count Augustin Ehrensv?rd (1710-72) while himself learning printmaking techniques from the Field Marshal. During this period Martin produced accurate studies of Finland coastal scenery and the Sveaborg fortress (e.g. Stockholm, Nmus.), as well as purely imaginary landscapes based on engravings. In 1766 he went to Paris and with Alexander Roslin help was able to study under Joseph Vernet at the Acad?mie Royale de Peinture et de Sculpture. A direct result of his studies was a View of Paris from the Quay Beneath the Pont Neuf (1766-7; Stockholm, Nmus.).

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