DOU, Gerrit
Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.
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DOU, Gerrit Artist in His Studio oil painting


Artist in His Studio
1630-32 Oil on Panel Colnaghi, London.
Painting ID::  18990 		DOU, Gerrit
Artist in His Studio
1630-32 Oil on Panel Colnaghi, London.
   
   
     
DOU, Gerrit Woman Peeling Carrot dfg oil painting


Woman Peeling Carrot dfg
Oil on wood, 57,2 x 43,3 cm Staatliches Museum, Schwerin
Painting ID::  6459 		DOU, Gerrit
Woman Peeling Carrot dfg
Oil on wood, 57,2 x 43,3 cm Staatliches Museum, Schwerin
   
   
     
DOU, Gerrit The Extraction of Tooth fg oil painting


The Extraction of Tooth fg
1630-35 Oil on wood, 32 x 26 cm Mus??e du Louvre, Paris
Painting ID::  6460 		DOU, Gerrit
The Extraction of Tooth fg
1630-35 Oil on wood, 32 x 26 cm Mus??e du Louvre, Paris
   
   
     
DOU, Gerrit The Grocer s Shop oil painting


The Grocer s Shop
1647 Oil on wood, 38,5 x 29 cm Mus??e du Louvre, Paris
Painting ID::  6461 		DOU, Gerrit
The Grocer s Shop
1647 Oil on wood, 38,5 x 29 cm Mus??e du Louvre, Paris
   
   
     
DOU, Gerrit Officer of the Marksman Society in Leiden fg oil painting


Officer of the Marksman Society in Leiden fg
c. 1630 Oil on oak, 66 x 51 cm Museum of Fine Arts, Budapest
Painting ID::  6462 		DOU, Gerrit
Officer of the Marksman Society in Leiden fg
c. 1630 Oil on oak, 66 x 51 cm Museum of Fine Arts, Budapest
   
   
     
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     DOU, Gerrit
     Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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