Cristobal Rojas
Cristobal Rojas (Cua, Miranda, 15 December 1857 e Caracas, 8 November 1890) was one of the most important and high-profile Venezuelan painters of the 19th century. Rojas's styles varied considerably throughout his life, and he displayed talents in painting that ranged primarily for dramatic effect, to works done in the Impressionist style. Cristebal Rojas Poleo was born in the city of Cea in the Valles del Tuy to parents who worked in the medical profession. Part of his childhood occurred during the middle of the federal war (1859 - 1863) and Cea was particularly affected by the events of the war. He initiated studies under his grandfather, Jose Luis Rojas, who taught him how to draw and motivated him to improve. At 13 years old, his father died and he was forced to begin work in a tobacco factory in Cea to help support his family. In 1878, an earthquake devastated the Valles del Tuy region, and the Rojas faced poverty. As a result he moved to Caracas where he continued his painting studies, despite again having to work in the tobacco industry to support his mother and family. In Caracas he attended classes by Jose Manuel Mauco at the Universidad Central de Venezuela. Between 1880 and 1882, he developed a keen interest in oils and displayed a primitive technique that would prevail in his later paintings such as Ruinas de Cea despues del Terremoto and Ruinas del templo de la Merced. During this time he became acquainted with the painter Antonio Herrera Toro, also coming under contract as Toro's assistant to paint Caracas Cathedral.

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Cristobal Rojas Self portrait oil painting


Self portrait
1887(1887) Medium Oil on canvas Dimensions 60.5 x 50 cm (23.8 x 19.7 in) cyf
Painting ID::  81924
Cristobal Rojas
Self portrait
1887(1887) Medium Oil on canvas Dimensions 60.5 x 50 cm (23.8 x 19.7 in) cyf
   
   
     

Cristobal Rojas El Purgatorio oil painting


El Purgatorio
1890(1890) Medium Óleo sobre tela Dimensions 339 x 256 cm. cjr
Painting ID::  94152
Cristobal Rojas
El Purgatorio
1890(1890) Medium Óleo sobre tela Dimensions 339 x 256 cm. cjr
   
   
     

Cristobal Rojas Ruinas de Cua despues del Terremoto de 1812 oil painting


Ruinas de Cua despues del Terremoto de 1812
1882 cjr
Painting ID::  94153
Cristobal Rojas
Ruinas de Cua despues del Terremoto de 1812
1882 cjr
   
   
     

Cristobal Rojas La Muerte de Giradot en Barbula oil painting


La Muerte de Giradot en Barbula
287 x 217 cm Date 1883(1883) cjr
Painting ID::  94154
Cristobal Rojas
La Muerte de Giradot en Barbula
287 x 217 cm Date 1883(1883) cjr
   
   
     

Cristobal Rojas La miseria oil painting


La miseria
1886(1886) Medium Óleo sobre tela Dimensions 180,4 x 221,4 cm cjr
Painting ID::  94155
Cristobal Rojas
La miseria
1886(1886) Medium Óleo sobre tela Dimensions 180,4 x 221,4 cm cjr
   
   
     

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     Cristobal Rojas
     Cristobal Rojas (Cua, Miranda, 15 December 1857 e Caracas, 8 November 1890) was one of the most important and high-profile Venezuelan painters of the 19th century. Rojas's styles varied considerably throughout his life, and he displayed talents in painting that ranged primarily for dramatic effect, to works done in the Impressionist style. Cristebal Rojas Poleo was born in the city of Cea in the Valles del Tuy to parents who worked in the medical profession. Part of his childhood occurred during the middle of the federal war (1859 - 1863) and Cea was particularly affected by the events of the war. He initiated studies under his grandfather, Jose Luis Rojas, who taught him how to draw and motivated him to improve. At 13 years old, his father died and he was forced to begin work in a tobacco factory in Cea to help support his family. In 1878, an earthquake devastated the Valles del Tuy region, and the Rojas faced poverty. As a result he moved to Caracas where he continued his painting studies, despite again having to work in the tobacco industry to support his mother and family. In Caracas he attended classes by Jose Manuel Mauco at the Universidad Central de Venezuela. Between 1880 and 1882, he developed a keen interest in oils and displayed a primitive technique that would prevail in his later paintings such as Ruinas de Cea despues del Terremoto and Ruinas del templo de la Merced. During this time he became acquainted with the painter Antonio Herrera Toro, also coming under contract as Toro's assistant to paint Caracas Cathedral.

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