Cosimo Tura
1430-95 Italian Cosimo Tura Galleries Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara. Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles. In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity. He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.

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Cosimo Tura virgin and child enthroned oil painting


virgin and child enthroned
mk247 c.1475,oil and egg tempera on poplar,94x40 in,239x101.5 cm,national gallery,london,uk
Painting ID::  55962
Cosimo Tura
virgin and child enthroned
mk247 c.1475,oil and egg tempera on poplar,94x40 in,239x101.5 cm,national gallery,london,uk
   
   
     

Cosimo Tura Der Fruhling oil painting


Der Fruhling
Date Deutsch: um 1460 English: c. 1460 Medium Oil on panel Dimensions Deutsch: 116 ?? 71 cm cyf
Painting ID::  77283
Cosimo Tura
Der Fruhling
Date Deutsch: um 1460 English: c. 1460 Medium Oil on panel Dimensions Deutsch: 116 ?? 71 cm cyf
   
   
     

Cosimo Tura Madonna with the Child Enthroned oil painting


Madonna with the Child Enthroned
1474(1474) Medium Oil on wood cyf
Painting ID::  86934
Cosimo Tura
Madonna with the Child Enthroned
1474(1474) Medium Oil on wood cyf
   
   
     

Cosimo Tura Detail oil painting


Detail
circa 1475(1475) Medium oil on panel cyf
Painting ID::  98154
Cosimo Tura
Detail
circa 1475(1475) Medium oil on panel cyf
   
   
     

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     Cosimo Tura
     1430-95 Italian Cosimo Tura Galleries Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara. Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles. In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity. He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.

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