Carlos de Haes
Spanish 1826-1898 Carlos de Haes Galleries Spanish painter of Belgian birth. In 1835 he moved with his parents to M?laga, where he studied under the court portrait painter and miniature painter Luis de la Cruz y R?os (1776-1853). In 1850 he returned to Belgium and studied with the landscape painter Joseph Quineaux (1822-95). During his studies there and on his travels in France, Germany and Holland, he became acquainted with contemporary Realist trends. He returned to Spain in 1855, becoming a naturalized Spaniard, and the following year he exhibited numerous landscapes at the Exposici?n Nacional, Madrid, to much acclaim. In 1857 he won the competition for the fourth chair of landscape painting at the Escuela de Bellas Artes in Madrid with View of the Royal Palace from the Casa de Campo (1857; Madrid, Real Acad. S Fernando), a work showing characteristics of the Barbizon and Fontainebleau landscape schools. In 1860 he was elected Acad?mico de m?rito at the Real Academia de S Fernando in Madrid. By 1861 he was officiating and drawing up the regulations for the landscape competitions for aspiring pensionnaires. Consequently plein-air works came to be required in place of the previous tradition of submitting historical landscapes executed in the studio, a practice that discouraged the study of nature. De Haes suggested that only final corrections should be made in the studio, an attitude that indicates his timid initiation and acceptance of Realist trends.

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Carlos de Haes Tileworks in the Principe Pio Mountains oil painting


Tileworks in the Principe Pio Mountains
Museo del Prado, Madrid
Painting ID::  1497
Carlos de Haes
Tileworks in the Principe Pio Mountains
Museo del Prado, Madrid
   
   
     

Carlos de Haes The Peaks of Europe,  The Mancorbo Canal oil painting


The Peaks of Europe, The Mancorbo Canal
1876 Museo del Prado, Madrid
Painting ID::  1498
Carlos de Haes
The Peaks of Europe, The Mancorbo Canal
1876 Museo del Prado, Madrid
   
   
     

Carlos de Haes Tileworks in the Principe Pio Mountains oil painting


Tileworks in the Principe Pio Mountains
mk61 Oil on canvas 39x61cm
Painting ID::  28776
Carlos de Haes
Tileworks in the Principe Pio Mountains
mk61 Oil on canvas 39x61cm
   
   
     

Carlos de Haes A Stream at Pont-Aven oil painting


A Stream at Pont-Aven
mk235 31x39cm Oil on canvas
Painting ID::  54423
Carlos de Haes
A Stream at Pont-Aven
mk235 31x39cm Oil on canvas
   
   
     

Carlos de Haes Bajamar oil painting


Bajamar
Date between 1860(1860) and 1880(1880) Medium Oil on canvas Dimensions 38.9 x 59.6 cm (15.3 x 23.5 in) cjr
Painting ID::  86138
Carlos de Haes
Bajamar
Date between 1860(1860) and 1880(1880) Medium Oil on canvas Dimensions 38.9 x 59.6 cm (15.3 x 23.5 in) cjr
   
   
     

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     Carlos de Haes
     Spanish 1826-1898 Carlos de Haes Galleries Spanish painter of Belgian birth. In 1835 he moved with his parents to M?laga, where he studied under the court portrait painter and miniature painter Luis de la Cruz y R?os (1776-1853). In 1850 he returned to Belgium and studied with the landscape painter Joseph Quineaux (1822-95). During his studies there and on his travels in France, Germany and Holland, he became acquainted with contemporary Realist trends. He returned to Spain in 1855, becoming a naturalized Spaniard, and the following year he exhibited numerous landscapes at the Exposici?n Nacional, Madrid, to much acclaim. In 1857 he won the competition for the fourth chair of landscape painting at the Escuela de Bellas Artes in Madrid with View of the Royal Palace from the Casa de Campo (1857; Madrid, Real Acad. S Fernando), a work showing characteristics of the Barbizon and Fontainebleau landscape schools. In 1860 he was elected Acad?mico de m?rito at the Real Academia de S Fernando in Madrid. By 1861 he was officiating and drawing up the regulations for the landscape competitions for aspiring pensionnaires. Consequently plein-air works came to be required in place of the previous tradition of submitting historical landscapes executed in the studio, a practice that discouraged the study of nature. De Haes suggested that only final corrections should be made in the studio, an attitude that indicates his timid initiation and acceptance of Realist trends.

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