BROUWER, Adriaen
Flemish Baroque Era Painter, ca.1605-1638 Adriaen Brouwer (1605, Oudenaarde - January 1638, Antwerp) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631 ?C 1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic (illustrated right) is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave, but, upon instigation of the members of the guild, was reburied on Feb 1, 1638 in the church of the Carmelites.

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BROUWER, Adriaen A Boor Asleep oil painting


A Boor Asleep
Oil on wood, 37 x 28 cm Wallace Collection, London
Painting ID::  5433
BROUWER, Adriaen
A Boor Asleep
Oil on wood, 37 x 28 cm Wallace Collection, London
   
   
     

BROUWER, Adriaen The Bitter Draught d oil painting


The Bitter Draught d
c. 1635 Oil on wood Städelsches Kunstinstitut, Frankfurt
Painting ID::  5434
BROUWER, Adriaen
The Bitter Draught d
c. 1635 Oil on wood Städelsches Kunstinstitut, Frankfurt
   
   
     

BROUWER, Adriaen Brawling Peasants oil painting


Brawling Peasants
Oak, 26,5 x 34,5 cm Gemäldegalerie, Dresden
Painting ID::  5435
BROUWER, Adriaen
Brawling Peasants
Oak, 26,5 x 34,5 cm Gemäldegalerie, Dresden
   
   
     

BROUWER, Adriaen The Card Players fd oil painting


The Card Players fd
Oil on panel, 25 x 39 cm Koninklijk Museum voor Schone Kunsten, Antwerp
Painting ID::  5436
BROUWER, Adriaen
The Card Players fd
Oil on panel, 25 x 39 cm Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     

BROUWER, Adriaen Peasants Fighting f oil painting


Peasants Fighting f
1631-35 Oil on wood, 33 x 49 cm Alte Pinakothek, Munich
Painting ID::  5437
BROUWER, Adriaen
Peasants Fighting f
1631-35 Oil on wood, 33 x 49 cm Alte Pinakothek, Munich
   
   
     

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     BROUWER, Adriaen
     Flemish Baroque Era Painter, ca.1605-1638 Adriaen Brouwer (1605, Oudenaarde - January 1638, Antwerp) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631 ?C 1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic (illustrated right) is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave, but, upon instigation of the members of the guild, was reburied on Feb 1, 1638 in the church of the Carmelites.

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