BOTTICELLI, Sandro
Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.
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BOTTICELLI, Sandro Three Miracles of St Zenobius oil painting


Three Miracles of St Zenobius
1500-05 Tempera on panel, 67,3 x 150,5 cm
Painting ID::  44286 		BOTTICELLI, Sandro
Three Miracles of St Zenobius
1500-05 Tempera on panel, 67,3 x 150,5 cm
   
   
     
BOTTICELLI, Sandro Last Miracle and the Death of St Zenobius oil painting


Last Miracle and the Death of St Zenobius
1500-05 Tempera on panel, 66 x 182 cm
Painting ID::  44287 		BOTTICELLI, Sandro
Last Miracle and the Death of St Zenobius
1500-05 Tempera on panel, 66 x 182 cm
   
   
     
BOTTICELLI, Sandro The Punishment of Korah oil painting


The Punishment of Korah
1481-82 Fresco, 348,5 x 570 cm
Painting ID::  44288 		BOTTICELLI, Sandro
The Punishment of Korah
1481-82 Fresco, 348,5 x 570 cm
   
   
     
BOTTICELLI, Sandro Scenes from the Life of Moses oil painting


Scenes from the Life of Moses
1481-82 Fresco, 348,5 x 558 cm
Painting ID::  44289 		BOTTICELLI, Sandro
Scenes from the Life of Moses
1481-82 Fresco, 348,5 x 558 cm
   
   
     
BOTTICELLI, Sandro The Temptation of Christ oil painting


The Temptation of Christ
1481-82 Fresco, 345 x 555 cm
Painting ID::  44290 		BOTTICELLI, Sandro
The Temptation of Christ
1481-82 Fresco, 345 x 555 cm
   
   
     
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     BOTTICELLI, Sandro
     Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.

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