BELLEGAMBE, Jean
Flemish painter (c. 1480 - c. 1535) South Netherlandish painter and designer. His father, George Bellegambe, a cabinetmaker and musician, was a prominent citizen of Douai. Jean is first mentioned in a document of 1504, when he is referred to as a master painter, a burgher and married. His teacher is unknown, but his work bears some imprint of the art of Jan Provoost, who inherited Simon Marmion's studio. However, Bellegambe might equally have been apprenticed in Bruges or Brussels (possibly in the atelier of the Master of the Legend of St Mary Magdalen, for example), or even in Antwerp. The calm and serenity of Bellegambe's compositions, his treatment of landscape, his lightness of technique, his pursuit of clear, soft colours and delicate harmonies all indicate links with the work of Gerard David and Quinten Metsys. In the 17th century Bellegambe was known as 'the Master of Colours'.

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BELLEGAMBE, Jean Portrait of Miss Ella Carmichael oil painting


Portrait of Miss Ella Carmichael
1906(1906) Medium Oil on canvas cyf
Painting ID::  79352
BELLEGAMBE, Jean
Portrait of Miss Ella Carmichael
1906(1906) Medium Oil on canvas cyf
   
   
     

BELLEGAMBE, Jean The Le Cellier Triptych oil painting


The Le Cellier Triptych
1508(1508) and 1509(1509) Medium tempera and Oil on wood cyf
Painting ID::  88444
BELLEGAMBE, Jean
The Le Cellier Triptych
1508(1508) and 1509(1509) Medium tempera and Oil on wood cyf
   
   
     

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     BELLEGAMBE, Jean
     Flemish painter (c. 1480 - c. 1535) South Netherlandish painter and designer. His father, George Bellegambe, a cabinetmaker and musician, was a prominent citizen of Douai. Jean is first mentioned in a document of 1504, when he is referred to as a master painter, a burgher and married. His teacher is unknown, but his work bears some imprint of the art of Jan Provoost, who inherited Simon Marmion's studio. However, Bellegambe might equally have been apprenticed in Bruges or Brussels (possibly in the atelier of the Master of the Legend of St Mary Magdalen, for example), or even in Antwerp. The calm and serenity of Bellegambe's compositions, his treatment of landscape, his lightness of technique, his pursuit of clear, soft colours and delicate harmonies all indicate links with the work of Gerard David and Quinten Metsys. In the 17th century Bellegambe was known as 'the Master of Colours'.

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