Asher Brown Durand
1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

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Asher Brown Durand A Pastoral Scene oil painting


A Pastoral Scene
1858 21 7/8 x 32 3/8 in/(55.5 x 82.3 cm) NGA, Washington
Painting ID::  3956
Asher Brown Durand
A Pastoral Scene
1858 21 7/8 x 32 3/8 in/(55.5 x 82.3 cm) NGA, Washington
   
   
     

Asher Brown Durand Pastoral Landscape oil painting


Pastoral Landscape
1861 39 x 60 1/16 in/(99 x 152.5 cm) NGA, Washington
Painting ID::  3957
Asher Brown Durand
Pastoral Landscape
1861 39 x 60 1/16 in/(99 x 152.5 cm) NGA, Washington
   
   
     

Asher Brown Durand The Beeches oil painting


The Beeches
1845 Musee des Beaux Arts, Carcassonne
Painting ID::  3958
Asher Brown Durand
The Beeches
1845 Musee des Beaux Arts, Carcassonne
   
   
     

Asher Brown Durand Kindred Spirits oil painting


Kindred Spirits
1849
Painting ID::  3959
Asher Brown Durand
Kindred Spirits
1849
   
   
     

Asher Brown Durand Study from Rocks and Trees oil painting


Study from Rocks and Trees
1853 The Warner Collection
Painting ID::  3960
Asher Brown Durand
Study from Rocks and Trees
1853 The Warner Collection
   
   
     

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     Asher Brown Durand
     1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

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