Antonio Pollaiuolo
1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.

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Antonio Pollaiuolo Portrait of a Young Woman 02 oil painting


Portrait of a Young Woman 02
1475 Galleria degli Uffizi, Florence
Painting ID::  1585
Antonio Pollaiuolo
Portrait of a Young Woman 02
1475 Galleria degli Uffizi, Florence
   
   
     

Antonio Pollaiuolo Hercules and the Hydra oil painting


Hercules and the Hydra

Painting ID::  1587
Antonio Pollaiuolo
Hercules and the Hydra

   
   
     

Antonio Pollaiuolo Apollo and Daphne oil painting


Apollo and Daphne
c1470 National Gallery, London
Painting ID::  1588
Antonio Pollaiuolo
Apollo and Daphne
c1470 National Gallery, London
   
   
     

Antonio Pollaiuolo Hercules and Antaeus oil painting


Hercules and Antaeus
1460 Galleria degli Uffizi, Florence
Painting ID::  1589
Antonio Pollaiuolo
Hercules and Antaeus
1460 Galleria degli Uffizi, Florence
   
   
     

Antonio Pollaiuolo Tobias and the Angel oil painting


Tobias and the Angel
1460 Galleria Sabuda, Turin
Painting ID::  1590
Antonio Pollaiuolo
Tobias and the Angel
1460 Galleria Sabuda, Turin
   
   
     

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     Antonio Pollaiuolo
     1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.

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