Anna Ancher
Danish Painter, 1859-1935 was the only one of the Skagen Painters that was actually born in Skagen, Denmark. Anna Ancher was born and grew up in the northernmost area of Jutland, called Skagen (the Skaw). Her talent became obvious at an early age and she grew acquainted with pictorial art via the many artists who settled to paint in Skagen. Anna Ancher studied drawing for 3 years at the Vilhelm Kyhn College of Painting in Copenhagen. However, Anna Ancher developed her own style and was a pioneer in observing the interplay of different colours in natural light. She also studied drawing in Paris at the atelier of Pierre Puvis de Chavannes along with Marie Triepcke, who would marry Peder Severin Krøyer, another Skagen painter. In 1880 she married fellow painter Michael Ancher, whom she met in Skagen. They had one daughter, Helga Ancher. Despite pressure from society that married women should devote themselves to household duties, she continued painting after marriage. Anna Ancher is considered to be one of the great Danish pictorial artists by virtue of her abilities as a character painter and colourist[citation needed]. Anna Ancher's art found its expression in Nordic art's modern breakthrough towards a more truthful depiction of reality, e.g. in Blue Ane (1882) and The Girl in the Kitchen (1883-1886). Anna Ancher preferred to paint interiors and simple themes from the everyday lives of the Skagen people and fishermen,

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Anna Ancher Sunshine in the Blue Room (nn02) oil painting


Sunshine in the Blue Room (nn02)
1891 Oil on canvas,25 5/8 x 23 1/4'' Skagens Museum/The Skaw Museum,Denmark
Painting ID::  23164
Anna Ancher
Sunshine in the Blue Room (nn02)
1891 Oil on canvas,25 5/8 x 23 1/4'' Skagens Museum/The Skaw Museum,Denmark
   
   
     

Anna Ancher Breakfast Before the Hunt (nn02) oil painting


Breakfast Before the Hunt (nn02)
1903 Oil on canvas,19 1/8 x 22 1/2'' Skagens Museum/The Skaw Museum,Denmark
Painting ID::  23166
Anna Ancher
Breakfast Before the Hunt (nn02)
1903 Oil on canvas,19 1/8 x 22 1/2'' Skagens Museum/The Skaw Museum,Denmark
   
   
     

Anna Ancher Sunlight in the Blue Room oil painting


Sunlight in the Blue Room
mk235 65x59cm Oil on canvas
Painting ID::  54361
Anna Ancher
Sunlight in the Blue Room
mk235 65x59cm Oil on canvas
   
   
     

Anna Ancher The Artist-s mother,Anna Hedvig Brondum oil painting


The Artist-s mother,Anna Hedvig Brondum
mk235 1933 Oil on canvas 79x63cm
Painting ID::  54364
Anna Ancher
The Artist-s mother,Anna Hedvig Brondum
mk235 1933 Oil on canvas 79x63cm
   
   
     

Anna Ancher Syende fiskerpige oil painting


Syende fiskerpige
Syende fiskerpige (Sewing fisherman's wife)
Painting ID::  58204
Anna Ancher
Syende fiskerpige
Syende fiskerpige (Sewing fisherman's wife)
   
   
     

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     Anna Ancher
     Danish Painter, 1859-1935 was the only one of the Skagen Painters that was actually born in Skagen, Denmark. Anna Ancher was born and grew up in the northernmost area of Jutland, called Skagen (the Skaw). Her talent became obvious at an early age and she grew acquainted with pictorial art via the many artists who settled to paint in Skagen. Anna Ancher studied drawing for 3 years at the Vilhelm Kyhn College of Painting in Copenhagen. However, Anna Ancher developed her own style and was a pioneer in observing the interplay of different colours in natural light. She also studied drawing in Paris at the atelier of Pierre Puvis de Chavannes along with Marie Triepcke, who would marry Peder Severin Krøyer, another Skagen painter. In 1880 she married fellow painter Michael Ancher, whom she met in Skagen. They had one daughter, Helga Ancher. Despite pressure from society that married women should devote themselves to household duties, she continued painting after marriage. Anna Ancher is considered to be one of the great Danish pictorial artists by virtue of her abilities as a character painter and colourist[citation needed]. Anna Ancher's art found its expression in Nordic art's modern breakthrough towards a more truthful depiction of reality, e.g. in Blue Ane (1882) and The Girl in the Kitchen (1883-1886). Anna Ancher preferred to paint interiors and simple themes from the everyday lives of the Skagen people and fishermen,

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