Alma-Tadema, Sir Lawrence
b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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Alma-Tadema, Sir Lawrence Self-Portraits of Lawrence Alma-Tadema and Laura Theresa Epps (mk23) oil painting


Self-Portraits of Lawrence Alma-Tadema and Laura Theresa Epps (mk23)
1871 Oil on wood,27.5 x 37.5 cm(10 7/8 x 14 3/4 in) Fries Museum,Leeuwarden
Painting ID::  22916
Alma-Tadema, Sir Lawrence
Self-Portraits of Lawrence Alma-Tadema and Laura Theresa Epps (mk23)
1871 Oil on wood,27.5 x 37.5 cm(10 7/8 x 14 3/4 in) Fries Museum,Leeuwarden
   
   
     

Alma-Tadema, Sir Lawrence A Roman Emperor AD 41 (mk23) oil painting


A Roman Emperor AD 41 (mk23)
1872 Oil on canvas,83.8 x 174.2 cm(33 x 68 5/8 in) Walters Art Gallery,Baltimore
Painting ID::  22917
Alma-Tadema, Sir Lawrence
A Roman Emperor AD 41 (mk23)
1872 Oil on canvas,83.8 x 174.2 cm(33 x 68 5/8 in) Walters Art Gallery,Baltimore
   
   
     

Alma-Tadema, Sir Lawrence An Egyptian widow in the Time of Diocletian (mk23) oil painting


An Egyptian widow in the Time of Diocletian (mk23)
1872 Oil on wood,74.9 x 99.1 cm(29 1/2 x 39 in) Rijksmuseum,Amsterdam
Painting ID::  22918
Alma-Tadema, Sir Lawrence
An Egyptian widow in the Time of Diocletian (mk23)
1872 Oil on wood,74.9 x 99.1 cm(29 1/2 x 39 in) Rijksmuseum,Amsterdam
   
   
     

Alma-Tadema, Sir Lawrence The Death of the First-Born (mk23) oil painting


The Death of the First-Born (mk23)
1872 Oil on canvas,79.9 x 124.5 cm(31 1/2 x 49 in) Rijksmuseum,Amsterdam
Painting ID::  22919
Alma-Tadema, Sir Lawrence
The Death of the First-Born (mk23)
1872 Oil on canvas,79.9 x 124.5 cm(31 1/2 x 49 in) Rijksmuseum,Amsterdam
   
   
     

Alma-Tadema, Sir Lawrence Joseph,Overseer of Pharaoh's Granaries (mk23) oil painting


Joseph,Overseer of Pharaoh's Granaries (mk23)
1874 Oil on canvas,33 x 43.1 cm(13 x 17 in) Private collection
Painting ID::  22920
Alma-Tadema, Sir Lawrence
Joseph,Overseer of Pharaoh's Granaries (mk23)
1874 Oil on canvas,33 x 43.1 cm(13 x 17 in) Private collection
   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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