Alfred Sisley
French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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Alfred Sisley The Church at Moret in Morning Sun oil painting


The Church at Moret in Morning Sun
mk55 1893 Oil on canvas 80x65cm Kunstmuseum,Winterthur
Painting ID::  27261
Alfred Sisley
The Church at Moret in Morning Sun
mk55 1893 Oil on canvas 80x65cm Kunstmuseum,Winterthur
   
   
     

Alfred Sisley The Church at Moret-Icy Weather oil painting


The Church at Moret-Icy Weather
mk55 1893 Oil on canvas 65x81cm
Painting ID::  27267
Alfred Sisley
The Church at Moret-Icy Weather
mk55 1893 Oil on canvas 65x81cm
   
   
     

Alfred Sisley The Church at Moret oil painting


The Church at Moret
mk55 1894 Oil on canvas 100x81cm Musee du Petit Patit Palais,Paris
Painting ID::  27268
Alfred Sisley
The Church at Moret
mk55 1894 Oil on canvas 100x81cm Musee du Petit Patit Palais,Paris
   
   
     

Alfred Sisley Bristol Channel from Penarth,Evening oil painting


Bristol Channel from Penarth,Evening
mk55 1897 Oil on canvas 54x65cm Allen Memorial Art Gallery
Painting ID::  27271
Alfred Sisley
Bristol Channel from Penarth,Evening
mk55 1897 Oil on canvas 54x65cm Allen Memorial Art Gallery
   
   
     

Alfred Sisley Langland Bay,Storr s Rock-Morning oil painting


Langland Bay,Storr s Rock-Morning
mk55 1897 Oil on canvas 65x81cm Kunstmuseum,Bern
Painting ID::  27273
Alfred Sisley
Langland Bay,Storr s Rock-Morning
mk55 1897 Oil on canvas 65x81cm Kunstmuseum,Bern
   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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