Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts oil painting


Sebastiansaltar des Augustiner-Chorherrenstifts
c. 1509 - 1516 Oil on wood cjr
Painting ID::  76402
Albrecht Altdorfer
Sebastiansaltar des Augustiner-Chorherrenstifts
c. 1509 - 1516 Oil on wood cjr
   
   
     

Albrecht Altdorfer Landschaft mit einem Steg oil painting


Landschaft mit einem Steg
English: c. 1516 Medium Deutsch: Öl auf Pergament/Holz Dimensions 42 ?? 35,5 cm cyf
Painting ID::  76443
Albrecht Altdorfer
Landschaft mit einem Steg
English: c. 1516 Medium Deutsch: Öl auf Pergament/Holz Dimensions 42 ?? 35,5 cm cyf
   
   
     

Albrecht Altdorfer Mountain Range oil painting


Mountain Range
1530(1530) Oil on wood 53.1 ?? 45.1 cm cjr
Painting ID::  76574
Albrecht Altdorfer
Mountain Range
1530(1530) Oil on wood 53.1 ?? 45.1 cm cjr
   
   
     

Albrecht Altdorfer Communion of the Apostles oil painting


Communion of the Apostles
Date between 1516(1516) and 1518(1518) Medium Oil on wood Dimensions Width: 32.5 cm (12.8 in). Height: 42 cm (16.5 in). cjr
Painting ID::  76627
Albrecht Altdorfer
Communion of the Apostles
Date between 1516(1516) and 1518(1518) Medium Oil on wood Dimensions Width: 32.5 cm (12.8 in). Height: 42 cm (16.5 in). cjr
   
   
     

Albrecht Altdorfer Mary with the Child oil painting


Mary with the Child
between 1520(1520) and 1525(1525) wood 35.5 cm (14 in). Height: 49.4 cm (19.4 in). cjr
Painting ID::  76657
Albrecht Altdorfer
Mary with the Child
between 1520(1520) and 1525(1525) wood 35.5 cm (14 in). Height: 49.4 cm (19.4 in). cjr
   
   
     

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     Albrecht Altdorfer
     German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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