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Rosa bonheur

Plowing_in_the_Nivernais;the_dressing_of_the_vines
1849(Salon_of_1849) 4'_4_3/4''_x_8'_6_1/4''(134_x_260cm) RF_64


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Rosa_bonheur
Plowing in the Nivernais;the dressing of the vines
Rosa bonheur1.jpg

INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

    1849(Salon of 1849) 4' 4 3/4'' x 8' 6 1/4''(134 x 260cm) RF 64
    1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .

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