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Capriccio with a Portico vgd
Canaletto131.jpg
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Capriccio_with_a_Portico_vgd
Etching
Private collection
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London: the Thames and the City of London from the Terrace of Richmond House ff
Canaletto132.jpg
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London:_the_Thames_and_the_City_of_London_from_the_Terrace_of_Richmond_House_ff
c. 1747
Pen and ink with wash on paper, 337 x 540 mm
Private collection
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London: Westminster Bridge under Repair vv
Canaletto133.jpg
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London:_Westminster_Bridge_under_Repair_vv
1749
Pen and ink with wash on paper, 293 x 484 mm
Royal Collection, Windsor
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Piazza San Marco: Looking East from the South West Corner dfd
Canaletto134.jpg
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Piazza_San_Marco:_Looking_East_from_the_South_West_Corner__dfd
c. 1760
Pen and ink with wash on paper, 190 x 282 mm
Royal Collection, Windsor
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San Marco: the Crossing and North Transept, with Musicians Singing df
Canaletto135.jpg
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San_Marco:_the_Crossing_and_North_Transept,_with_Musicians_Singing_df
1766
Pen and ink with washes, 47 x 36 cm
Kunsthalle, Hamburg
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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