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Portrait of Helena of Mecklemburg-Schwerin, Duchess of Orleans with her son the Count of Paris
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Portrait_of_Helena_of_Mecklemburg-Schwerin,_Duchess_of_Orleans_with_her_son_the_Count_of_Paris
1839(1839)
Oil on canvas
215 ?? 140 cm (84.6 ?? 55.1 in)
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Barbara Dmitrievna Mergassov Rimsky Korsakova
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Barbara_Dmitrievna_Mergassov_Rimsky_Korsakova
Date 1864
Medium Oil on canvas
Dimensions ? ?? cm
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Portrait of Prince Albert
new24/Franz Xaver Winterhalter-683484.jpg
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Portrait_of_Prince_Albert
1843(1843)
Oil on canvas
274.3 ?? 162.6 cm (108 ?? 64 in)
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Portrait of the Prince de Wagram and his daughter Malcy Louise Caroline Frederique
new24/Franz Xaver Winterhalter-486695.jpg
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Portrait_of_the_Prince_de_Wagram_and_his_daughter_Malcy_Louise_Caroline_Frederique
1837(1837)
Oil on canvas
186 ?? 138 cm (73.2 ?? 54.3 in)
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Young Italian Girl at the Well
new24/Franz Xaver Winterhalter-556763.jpg
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Young_Italian_Girl_at_the_Well
c. 1833-1834.
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Franz_Xaver_Winterhalter
German 1805-1873
Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.
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