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Arrival of the French Ambassador in Venice (detail) d
Canaletto91.jpg
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Arrival_of_the_French_Ambassador_in_Venice_(detail)_d
1740s
Oil on canvas, 181 x 259,5 cm
The Hermitage, St. Petersburg
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Capriccio: The Grand Canal, with an Imaginary Rialto Bridge and Other Buildings fg
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Capriccio:_The_Grand_Canal,_with_an_Imaginary_Rialto_Bridge_and_Other_Buildings_fg
1740s
Oil on canvas, 60 x 82 cm
Galleria Nazionale, Parma
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Capriccio: a Palladian Design for the Rialto Bridge, with Buildings at Vicenza
Canaletto93.jpg
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Capriccio:_a_Palladian_Design_for_the_Rialto_Bridge,_with_Buildings_at_Vicenza
1740s
Oil on canvas, 60,5 x 82 cm
Galleria Nazionale, Parma
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London: Westminster Bridge from the North on Lord Mayor s Day
Canaletto94.jpg
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London:_Westminster_Bridge_from_the_North_on_Lord_Mayor_s_Day
1746
Oil on canvas, 96 x 137,5 cm
Yale Center for British Art, New Haven
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London: Seen Through an Arch of Westminster Bridge df
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London:_Seen_Through_an_Arch_of_Westminster_Bridge_df
1746-47
Oil on canvas, 57 x 95 cm
Private collection
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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