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Shesibasi
new20/RAFFAELLO Sanzio-724456.jpg
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Shesibasi
mk243
1501-1502
43x34cm
Oil on board
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The virgin mary and christ
new20/RAFFAELLO Sanzio-252669.jpg
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The_virgin_mary_and_christ
mk243
1496-1497
97x67cm
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The virgin mary
new20/RAFFAELLO Sanzio-384328.jpg
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The_virgin_mary
mk243
1502-1503
Oil on canvas
267x163cm
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Christ on the cross
new20/RAFFAELLO Sanzio-746658.jpg
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Christ_on_the_cross
mk243
1503
279x166cm
Oil on canvas
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Wedding
new20/RAFFAELLO Sanzio-363858.jpg
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Wedding
mk243
1504
170x117cm
Oil on board
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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