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Bacchanalia
new9/Titian-738899.jpg
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Bacchanalia
mk86
c.1519/20
Oil on canvas
175x193cm
Madrid,Museo del Prado
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La Bella
new9/Titian-263874.jpg
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La_Bella
mk86
c.1536
Oil on canvas
100x75cm
Florence,Galleria Pitti
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Christ Crowned with Thorns
new9/Titian-952425.jpg
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Christ_Crowned_with_Thorns
mk86
c.1576
Oil on canvas
280x182cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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Pieta
new9/Titian-675323.jpg
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Pieta
mk86
c.1573-1576
Oil on canvas
351x389cm
Venice,Galleria dell'Accademia
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Portrait of a Young Woman
new10/Titian-393723.jpg
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Portrait_of_a_Young_Woman
mk91
1530s
Oil on canvas
96x85
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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