Egon Schiele

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 Egon Schiele The Artist' Wife,seated (mk12) oil painting artist
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     The Artist' Wife,seated (mk12)
     new7/Egon Schiele-842588.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  The_Artist'_Wife,seated_(mk12)
1917 Die Frau des Kunstlers,sitzend Gouache and black crayon,46.1 x 29.7 cm Kallir D 1907;Vienna,Graphische Sammlung Albertina

 Egon Schiele Portrait of the Artist's Wife (mk12) oil painting artist
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     Portrait of the Artist's Wife (mk12)
     new7/Egon Schiele-489285.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Portrait_of_the_Artist's_Wife_(mk12)
1917 Bildnis der Gattin des Kunstlers Gouache and Black crayon,44 x 28 cm Kallir D 1908;private collection

 Egon Schiele Portrait of the Artist's Seated,Holding Her Right Leg (mk12) oil painting artist
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     Portrait of the Artist's Seated,Holding Her Right Leg (mk12)
     new7/Egon Schiele-472237.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Portrait_of_the_Artist's_Seated,Holding_Her_Right_Leg_(mk12)
1917 Bildnis der Gattin des Kunstlers,Ihr rechtes Bein haltend Gouache and black crayon,46.3 x 29.2 cm Kallir D 1982;New York,The Pierpont Morgan Library

 Egon Schiele Seated Woman in Violet Stockings (mk12) oil painting artist
 Click Image to Enlarge
     Seated Woman in Violet Stockings (mk12)
     new7/Egon Schiele-688476.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Seated_Woman_in_Violet_Stockings_(mk12)
1917 Sitzende Frau mit violetten Strumpfen Gouache and black crayon,29.6 x 44.2 cm Kallir D 1992;private collection

 Egon Schiele Two Girls Embracing (Two Friends) (mk12) oil painting artist
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     Two Girls Embracing (Two Friends) (mk12)
     new7/Egon Schiele-399782.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Two_Girls_Embracing_(Two_Friends)_(mk12)
1915 Zwei Madchen,einander umarmend Gouache,Watercolour and pencil,48 x 32.7 cm Kallir D 1742;Budapest,Szepmuveszeti Muzeum

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     Egon_Schiele
    1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

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