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Portrait of pricess yelizaveta Saltykova
new12/Karl Briullov-558342.jpg
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Portrait_of_pricess_yelizaveta_Saltykova
mk149
1841
Oil on canvas
200x142cm
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Portrait of Ivan Krylov
new12/Karl Briullov-496388.jpg
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Portrait_of_Ivan_Krylov
mk149
1839
Oil on canvas
102.3x86.2cm
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Portrait of Prince Mikhail Obolensky
new12/Karl Briullov-659677.jpg
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Portrait_of_Prince_Mikhail_Obolensky
mk149
1840-46
Oil on canvas
123.7x106.7cm
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Portrait of Countess Yulia Samoilova with her Adopted daughter amzilia pacini
new12/Karl Briullov-969238.jpg
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Portrait_of_Countess_Yulia_Samoilova_with_her_Adopted_daughter_amzilia_pacini
mk149
not later than 1842
Oil on canvas
249x176cm
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Sweet Waters near constantinople
new12/Karl Briullov-358625.jpg
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Sweet_Waters_near_constantinople
mk149
1849
Watercolour on paper
69x87cm
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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