Dante Gabriel Rossetti

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 Dante Gabriel Rossetti Dante's Vision of Rachel and Leah (mk28) oil painting artist
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     Dante's Vision of Rachel and Leah (mk28)
     new8/Dante Gabriel Rossetti-532339.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Dante's_Vision_of_Rachel_and_Leah_(mk28)
1855 Watercolour on paper 35.5 x 31.5 cm Tate Gallery London

 Dante Gabriel Rossetti The Blue Closet (mk28) oil painting artist
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     The Blue Closet (mk28)
     new8/Dante Gabriel Rossetti-276975.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Blue_Closet_(mk28)
1857 Watercolour on paper 34.3 x 24.8 cm Tate Gallery London

 Dante Gabriel Rossetti The Weding of St George and the Princess Sabra (mk28) oil painting artist
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     The Weding of St George and the Princess Sabra (mk28)
     new8/Dante Gabriel Rossetti-664992.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Weding_of_St_George_and_the_Princess_Sabra_(mk28)
1857 Watercolour on paper 36.5 x 36.5 cm Tate Gallery London

 Dante Gabriel Rossetti The Tune of Seven Towers (mk28) oil painting artist
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     The Tune of Seven Towers (mk28)
     new8/Dante Gabriel Rossetti-874863.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Tune_of_Seven_Towers_(mk28)
1857 Watercolour on paper 31.4 x 36.5 cm Tate Gallery London

 Dante Gabriel Rossetti St Catherine (mk28) oil painting artist
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     St Catherine (mk28)
     new8/Dante Gabriel Rossetti-734275.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  St_Catherine_(mk28)
1857 Oil on canvas 34.3 x 24.1 cm Tate Gallery London

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     Dante_Gabriel_Rossetti
    English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess.

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