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Detail of the Annunciation
new19/Fra Angelico-473274.jpg
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Detail_of_the_Annunciation
nn09
1435-45
Tempera on wood
194x194cm
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The Annunciation
new19/Fra Angelico-562534.jpg
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The_Annunciation
nn09
detail of Panel with Nine Scenes from the Silver Chest of Saintssima Annunziata
c.1450
Tempera on wood
39x39cm
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The Annuciation
new19/Fra Angelico-658359.jpg
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The_Annuciation
nn09
1440
Fresco
187x157cm
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Abraham,Sarah,and the Angel
new19/Fra Angelico-926757.jpg
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Abraham,Sarah,and_the_Angel
nn09
Oil on wood
75x56cm
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Detail. of the Linaiuoli Triptych
new19/Fra Angelico-925276.jpg
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Detail._of_the_Linaiuoli_Triptych
nn09
commissioned 1433
Tempera on wood
260x330cm
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Fra_Angelico
Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent".
Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One).
Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico".
Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
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