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Venus and Cupid
new21/Agnolo Bronzino-263782.jpg
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Venus_and_Cupid
mk276 1540 Oil on canvas 147 x 117cm National Gallery, London
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St John the Baptist
new21/Agnolo Bronzino-994533.jpg
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St_John_the_Baptist
1550-55 Oil on wood, 120 x 92 cm Galleria Borghese, Rome Appearing to be full-size, this painting demonstrates the skill of the Mannerist painter in fitting a brilliant body-study into a small pictorial space. Artistically, all interest is on the nude, with the nakedness concealed more by the way the figure holds his body than the way he plays with the drapery and the hide mantle. The only symbol in the picture is the Jacob's staff, in the dark. This is cleverly foreshortened, and thus not the real message of the painting.Artist:BRONZINO, Agnolo Title: St John the Baptist Painted in 1501-1550 , Italian - - painting : religious
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Portrait of a Lady
new21/Agnolo Bronzino-983766.jpg
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Portrait_of_a_Lady
1550 Oil on wood, 109 x 85 cm Galleria Sabauda, Turin Some critics assumed that the sitter is Eleonora of Toledo, however, she is probably a wealthy Florentine lady.Artist:BRONZINO, Agnolo Title: Portrait of a Lady Painted in 1501-1550 , Italian - - painting : portrait
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lucrezia panciatichi
new21/Agnolo Bronzino-663889.jpg
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lucrezia_panciatichi
1550-60
florence. uffizi
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Portrat der
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Portrat_der
Date 1540(1540)
Medium Deutsch: ol auf Holz
Dimensions Deutsch: 104 X 85 cm
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Agnolo_Bronzino
Italian Mannerist Painter, 1503-1572
Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.
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