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Portrait of the Donor Giovanni Tornabuoni
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Portrait_of_the_Donor_Giovanni_Tornabuoni
1486-90 Fresco Cappella Tornabuoni
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Calling of the First Apostles
new19/GHIRLANDAIO, Domenico-488467.jpg
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Calling_of_the_First_Apostles
1481 Fresco Cappella Sistina
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Stigmata of St Francis
new19/GHIRLANDAIO, Domenico-836675.jpg
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Stigmata_of_St_Francis
1482-85 Fresco Santa Trinit
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Birth of Mary
new19/GHIRLANDAIO, Domenico-297725.jpg
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Birth_of_Mary
1486-90 Fresco Cappella Tornabuoni
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Zacharias Writes Down the Name of his Son
new19/GHIRLANDAIO, Domenico-893422.jpg
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Zacharias_Writes_Down_the_Name_of_his_Son
1486-90 Fresco Cappella Tornabuoni
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GHIRLANDAIO,_Domenico
Italian Early Renaissance Painter, 1449-1494
Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);
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