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Dona Isabel de Porcel
new11/Francisco Goya-848389.jpg
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Dona_Isabel_de_Porcel
mk132
1804-05
Oil on canvas
82x54cm
National Gallery,
London
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Francisca Sabasa y Garcia
new11/Francisco Goya-762869.jpg
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Francisca_Sabasa_y_Garcia
mk132
1804-08
Oil on canvas
71x58cm
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Duchess of Alba
new11/Francisco Goya-932776.jpg
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Duchess_of_Alba
mk132
1797
Oil on canvas
210.2x149.3cm
Hispanic Society,
New York
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The Duchess of Alba arranging her hair
new11/Francisco Goya-876223.jpg
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The_Duchess_of_Alba_arranging_her_hair
mk132
1796-97
Indian ink wash
17.1x10.1cm
National Library,
Madrid
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Adoration of the Name of God by Angels
new11/Francisco Goya-839568.jpg
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Adoration_of_the_Name_of_God_by_Angels
mk132
1772
700X1500cm
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Francisco_Goya
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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