Jacopo Tintoretto

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 Jacopo Tintoretto Annunciation; the Angel oil painting artist
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     Annunciation; the Angel
     new26/Jacopo Tintoretto-737599.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Annunciation;_the_Angel
between 1528(1528) and 1594(1594) Medium oil on canvas Dimensions 115 x 93 cm (45.3 x 36.6 in) cjr

 Jacopo Tintoretto Maria oil painting artist
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     Maria
     new26/Jacopo Tintoretto-945674.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Maria
between 1528(1528) and 1594(1594) Medium oil on canvas Dimensions 119 x 93 cm (46.9 x 36.6 in) cjr

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     Jacopo_Tintoretto
    1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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