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Saint Margaret of Antioch
new16/Francisco de Zurbaran-986436.jpg
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Saint_Margaret_of_Antioch
mk170
1630-1364
Oil on canvas
163x105cm
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The Adoration of the Shepherds
new16/Francisco de Zurbaran-746785.jpg
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The_Adoration_of_the_Shepherds
1638
Oil on canvas,
267 x 185 cm
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Cup of Water and a Rose on a Silver Plate
new16/Francisco de Zurbaran-324732.jpg
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Cup_of_Water_and_a_Rose_on_a_Silver_Plate
c. 1630
Oil on canvas,
21,2 x 30,1 cm
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The Sudarium of St Veronica
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The_Sudarium_of_St_Veronica
1658-61
Oil on canvas,
104 x 84 cm
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Virgin Mary with Child and the Young St John the Baptist
new16/Francisco de Zurbaran-928236.jpg
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Virgin_Mary_with_Child_and_the_Young_St_John_the_Baptist
1662
Oil on canvas,
169 x 127 cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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