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The Expulsion of Adam and Eve From the Garden
new12/MASACCIO-495339.jpg
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The_Expulsion_of_Adam_and_Eve_From_the_Garden
mk156
1425
Fresco
208x88cm
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Madonna and Child with St Anne Metterza
new12/MASACCIO-992475.jpg
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Madonna_and_Child_with_St_Anne_Metterza
mk156
c.1424
Tempera on panel
175x103cm
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The Tribute Money
new12/MASACCIO-728825.jpg
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The_Tribute_Money
mk156
c.1428
Fresco
255x598cm
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Holy Trinity
new12/MASACCIO-229368.jpg
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Holy_Trinity
mk156
c.1428
667x317cm
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Holy Ana Metterza
new16/MASACCIO-332356.jpg
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Holy_Ana_Metterza
mk166
1424
Tempera on board of wood
175x103cm
Uffizi, Florence
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MASACCIO
Italian Early Renaissance Painter, 1401-1428
was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.
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