|
|
 |
| Click Image to Enlarge |
Madonna of Loreto (Madonna del Velo) at
new1/RAFFAELLO Sanzio37.jpg
|
|
|
|
|
Madonna_of_Loreto_(Madonna_del_Velo)_at
1509-10
Oil on wood, 120 x 90 cm
Mus??e Cond??, Chantilly
|
|
 |
| Click Image to Enlarge |
Aldobrandini Madonna (Garvagh Madonna)
new1/RAFFAELLO Sanzio38.jpg
|
|
|
|
|
Aldobrandini_Madonna_(Garvagh_Madonna)
1510
Oil on wood, 38,7 x 32,7 cm
National Gallery, London
|
|
 |
| Click Image to Enlarge |
Madonna with the Blue Diadem
new1/RAFFAELLO Sanzio39.jpg
|
|
|
|
|
Madonna_with_the_Blue_Diadem
1510-11
Oil on wood, 68 x 44 cm
Mus??e du Louvre, Paris
|
|
 |
| Click Image to Enlarge |
Portrait of a Cardinal
new1/RAFFAELLO Sanzio40.jpg
|
|
|
|
|
Portrait_of_a_Cardinal
1510-11
Oil on wood, 79 x 61 cm
Museo del Prado, Madrid
|
|
 |
| Click Image to Enlarge |
The Triumph of Galatea (detail)
new1/RAFFAELLO Sanzio41.jpg
|
|
|
|
|
The_Triumph_of_Galatea_(detail)
1511
Fresco
Villa Farnesina, Rome
|
|
|
| Prev Artist Next Artist
|
|
RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
|
|
| Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale USA Oil Painting |
|
