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Rachel Hiding the Idols from her Father Laban
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Rachel_Hiding_the_Idols_from_her_Father_Laban
mk86
1726-1728
Fresco,Height
c.500cm
Width c.400cm
Udine,Palazzo Arcivescovile
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Sarah and the Archangel
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Sarah_and_the_Archangel
mk86
1726-1728
Udine,
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Hagar and Ismael in the Widerness
new9/Giovanni Battista Tiepolo-336623.jpg
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Hagar_and_Ismael_in_the_Widerness
mk86
c.1732
Oil on canvas
140x120cm
Venice,Scuola di San Rocco
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Perseus and Andromeda
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Perseus_and_Andromeda
mk29
c.1730
Oil on paper affixed to canvas
51.8x40.6cm
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The death of t he consul Brutus in single combat with aruns
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The_death_of_t_he_consul_Brutus_in_single_combat_with_aruns
mk150
c.1728/3
Canvas
383x182cm
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Giovanni_Battista_Tiepolo
Italian Rococo Era Painter, 1696-1770
Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions.
Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters.
In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.
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