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Portrait of Doge Pietro Loredano
new9/Tintoretto-776238.jpg
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Portrait_of_Doge_Pietro_Loredano
c. 1570
Oil on canvas,
127 x 100 cm
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Man in Armour
new9/Tintoretto-797762.jpg
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Man_in_Armour
c. 1550
Oil on canvas,
116 x 98 cm
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Man with a Golden Lace
new9/Tintoretto-667447.jpg
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Man_with_a_Golden_Lace
1550-60
Oil on canvas,
103 x 76 cm
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Portrait of Vincenzo Morosini
new9/Tintoretto-968587.jpg
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Portrait_of_Vincenzo_Morosini
c. 1580
Oil on canvas,
84,5 x 51,5 cm
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Portrait of a Woman Revealing her Breasts
new9/Tintoretto-473238.jpg
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Portrait_of_a_Woman_Revealing_her_Breasts
c. 1570
Oil on canvas,
61 x 55 cm
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Tintoretto
Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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