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Square with the Kreuz Kirche in Dresden
new16/Bernardo Bellotto-929628.jpg
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Square_with_the_Kreuz_Kirche_in_Dresden
mk156
1751
Oil on canvas
147x199cm
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entrance to the grand canal,venice
new20/Bernardo Bellotto-642688.jpg
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entrance_to_the_grand_canal,venice
mk247
c.1741,oil on canvas,12.25x37.25 in,59.3x94.9 cm,fitzwilliam museum,university of cambridge,uk
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Bellotto urban scenes have the same
new20/Bernardo Bellotto-398298.jpg
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Bellotto_urban_scenes_have_the_same
Bellotto's urban scenes have the same carefully drawn realism as his uncle's Venetian views but are marked by heavy shadows and are darker and colder in tone and colour."
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View of Warsaw from the Praga bank
new20/Bernardo Bellotto-979936.jpg
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View_of_Warsaw_from_the_Praga_bank
View of Warsaw from the Praga bank, painted 1770.
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Self-portrait as Venetian ambassador.
new23/Bernardo Bellotto-679573.jpg
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Self-portrait_as_Venetian_ambassador.
1760s
Oil on canvas
153 x 114 cm (60.24 x 44.88 in)
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Bernardo_Bellotto
Italian Rococo Era Painter, C.1721-1780
Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
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