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Madonna of the Daffodils with the Child and Donors
new25/Jan van Scorel-955867.jpg
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Madonna_of_the_Daffodils_with_the_Child_and_Donors
Oil on panel, 56 x 76 cm
c. 1535(1535)
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Landschaft mit Tobias und dem Engel
new25/Jan van Scorel-998875.jpg
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Landschaft_mit_Tobias_und_dem_Engel
1521(1521)
Medium oil on panel
Dimensions 81.5 X 123.4 cm (32.1 X 48.6 in)
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Mary Magdalene.
new25/Jan van Scorel-834975.jpg
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Mary_Magdalene.
c. 1530(1530) (1525-1535)
Medium oil on panel
Dimensions 67 X 76.5 cm (26.4 X 30.1 in)
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Portrait of Reinoud III van Brederode
new25/Jan van Scorel-649385.jpg
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Portrait_of_Reinoud_III_van_Brederode
c. 1545(1545)
Medium oil on oak panel
Dimensions 78.6 X 67 cm (30.9 X 26.4 in)
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Landscape with Bathsheba
new26/Jan van Scorel-886756.jpg
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Landscape_with_Bathsheba
circa 1540-1545
Medium oil on oak panel
Dimensions 100.4 x 203.9 cm (39.5 x 80.3 in)
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Jan_van_Scorel
Dutch
1495-1562
Jan Van Scorel Galleries
Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works.
In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere.
Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels.
Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands.
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