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Tivoli The gardens of the village
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Tivoli_The_gardens_of_the_village
mk131
1843
Composed with the severity of the landscape painters clasicos, but without losing an apice of the immediacy of the free air
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The Waterfalls
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The_Waterfalls
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1843
As the previous one, was painted during the I finalize trip of corot to ltalia.
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Homero and the shepherds
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Homero_and_the_shepherds
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1845
It inspired in a poem of Andre chenier, Corot yields aqui tribute al classicist teaching of Bertin and in finalizes instance, of poussin and cludio of lorraine.
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The dance of the nymphs
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The_dance_of_the_nymphs
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Hacial 1850 Exhibited with flat exito in the Salon of 1851 This work consagraria at last the fame of corot, Although in a well different registration from the one that testifies its
better qualities.
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Nymph Reclined
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Nymph_Reclined
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Toward 1857 they dealt with the smooth light and the espirutu poetico own of its landscapes bucolicos. The prodigious naked one that dominates the composicion overflows with a lot of the somewhat cloying conventionality of that part of the work of corot.
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Corot_Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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