Pontormo, Jacopo

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 Pontormo, Jacopo St John the Evangelist oil painting artist
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     St John the Evangelist
     new18/Pontormo, Jacopo-355862.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  St_John_the_Evangelist
c. 1525 Oil on wood Four tondos with the Evangelists still adorn the pendentives that once supported the old cupola of the Cappella Capponi in the church of Santa Felicit?in Florence.

 Pontormo, Jacopo The Expulsion from Earthly Paradise oil painting artist
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     The Expulsion from Earthly Paradise
     new19/Pontormo, Jacopo-625596.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Expulsion_from_Earthly_Paradise
c. 1535 Oil on wood, 43 x 31 cm

 Pontormo, Jacopo Leda and the Swan oil painting artist
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     Leda and the Swan
     new19/Pontormo, Jacopo-247779.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Leda_and_the_Swan
1512-13 Oil on wood, 55 x 40 cm

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     Pontormo,_Jacopo
    b Pontormo, nr Empoli, 26 May 1494; d Florence, 31 Dec 1556). Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo

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