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Madonna and Child with Putti
new4/Rosso Fiorentino-258225.jpg
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Madonna_and_Child_with_Putti
c. 1517
Oil on wood, 111 x 75,5 cm
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Madonna Enthroned with Four Saints
new4/Rosso Fiorentino-828467.jpg
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Madonna_Enthroned_with_Four_Saints
1518
Oil on wood, 172 x 141 cm
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Musician Angel
new4/Rosso Fiorentino-353578.jpg
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Musician_Angel
c. 1520
Tempera on wood, 47 x 39 cm
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Dead Christ with Angels
new4/Rosso Fiorentino-674485.jpg
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Dead_Christ_with_Angels
1525-26
Oil on canvas, 133,5 x 104 cm
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Risen Christ
new4/Rosso Fiorentino-744459.jpg
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Risen_Christ
1528-30
Oil on wood, 348 x 258 cm
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Rosso_Fiorentino
Italian Mannerist Painter, ca.1495-1540
Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style.
Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau.
Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.
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