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Bacchanalian Scene
new4/MAGNASCO, Alessandro-547226.jpg
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Bacchanalian_Scene
1710s
Oil on canvas, 110,5 x 167,5 cm
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Christ Adored by Two Nuns
new4/MAGNASCO, Alessandro-896986.jpg
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Christ_Adored_by_Two_Nuns
c. 1715
Oil on canvas, 58 x 43 cm
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The Seashore
new4/MAGNASCO, Alessandro-856297.jpg
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The_Seashore
c. 1700
Oil on canvas, 158 x 211 cm
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Seascape with Fishermen and Bathers
new9/MAGNASCO, Alessandro-593595.jpg
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Seascape_with_Fishermen_and_Bathers
mk86
undated
Oil on canvas
115x92cm
Venice
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The Wise Raven
new9/MAGNASCO, Alessandro-572837.jpg
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The_Wise_Raven
mk86
c.1703-1711
Oil on canvas
47x61cm
Florence,Galleria degli Uffizi.
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MAGNASCO,_Alessandro
Italian Rococo Era Painter, 1667-1749
Painter and draughtsman, son of (1) Stefano Magnasco. He did not study with his father, who died when he was a small child. He went to Milan, probably between 1681 and 1682, and entered the workshop of Filippo Abbiati (1640-1715). His Christ Carrying the Cross (Vitali, priv. col., see Franchini Guelfi, 1987, fig. 238) faithfully repeats the subject and composition of Abbiati's painting of the same subject (Pavia, Pin. Malaspina). Alessandro Magnasco's early works were influenced by the harsh and dramatic art of 17th-century Lombardy, with dramatic contrasts of light and dark and livid, earthy tones, far removed from the bright, glowing colours of contemporary Genoese painting. The depiction of extreme emotion in the St Francis in Ecstasy (Genoa, Gal. Pal. Bianco) was inspired by Francesco Cairo's Dream of Elijah (Milan, S Antonio Abate). However, Magnasco was already expressing himself in a very personal manner, with forms fragmented by swift brushstrokes and darting flashes of light. The Quaker Meeting (1695; ex-Vigan? priv. col., see Franchini Guelfi, 1991, no. 18) is one of his first genre scenes. In this early period he specialized as a figurista, creating small human figures to be inserted in the landscapes and architectural settings of other painters. He also began collaborating with the landscape painter Antonio Francesco Peruzzini, with a specialist in perspective effects,
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