Frederick Remington

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 Frederick Remington Shotgun Hospitality oil painting artist
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     Shotgun Hospitality
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INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
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24x36 60x90   $139   $159
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48x72 120x180 $459 469

 

  Shotgun_Hospitality


 Frederick Remington A Cavalryman's Breakfast on the Plains oil painting artist
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     A Cavalryman's Breakfast on the Plains
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INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
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30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  A_Cavalryman's_Breakfast_on_the_Plains


 Frederick Remington His First Lesson oil painting artist
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     His First Lesson
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INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
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30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  His_First_Lesson


 Frederick Remington Apache oil painting artist
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     Apache
     Frederick Remington19.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Apache


 Frederick Remington Turn Him Loose, Bill oil painting artist
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     Turn Him Loose, Bill
     Frederick Remington20.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Turn_Him_Loose,_Bill


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     Frederick_Remington
    1861-1909 Frederic Sackrider Remington (October 4, 1861 - December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th century American West and images of cowboys, American Indians, and the U.S. Cavalry. Remington was the most successful Western illustrator in the ??Golden Age?? of illustration at the end of the 19th Century and the beginning of the 20th Century, so much so that the other Western artists such as Charles Russell and Charles Schreyvogel were known during Remington??s life as members of the ??School of Remington??. His style was naturalistic, sometimes impressionistic, and usually veered away from the ethnographic realism of earlier Western artists such as George Catlin. His focus was firmly on the people and animals of the West, with landscape usually of secondary importance, unlike the members and descendants of the Hudson River School, such as Frederic Edwin Church, Albert Bierstadt, and Thomas Moran, who glorified the vastness of the West and the dominance of nature over man. He took artistic liberties in his depictions of human action, and for the sake of his readers?? and publishers?? interest. Though always confident in his subject matter, Remington was less sure about his colors, and critics often harped on his palette, but his lack of confidence drove him to experiment and produce a great variety of effects, some very true to nature and some imagined. His collaboration with Owen Wister on The Evolution of the Cowpuncher, published by Harper??s Monthly in September 1893, was the first statement of the mythical cowboy in American literature, spawning the entire genre of Western fiction, films, and theater that followed. Remington provided the concept of the project, its factual content, and its illustrations and Wister supplied the stories, sometimes altering Remington??s ideas. (Remington??s prototype cowboys were Mexican rancheros but Wister made the American cowboys descendants of Saxons??in truth, they were both partially right, as the first American cowboys were both the ranchers who tended the cattle and horses of the American Revolutionary army on Long Island and the Mexicans who ranched in the Arizona and California territories).

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