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Our Lady of the Immaculate Conception
new3/Francisco de Zurbaran-395737.jpg
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Our_Lady_of_the_Immaculate_Conception
mk61
c.1628-1630
Oil on canvas
139x104cm
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St.Elizabeth of Portugal
new3/Francisco de Zurbaran-384267.jpg
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St.Elizabeth_of_Portugal
mk61
Oil on canvas
184x90cm
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St.Anthony Abbot
new3/Francisco de Zurbaran-323822.jpg
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St.Anthony_Abbot
mk65
Oil on canvas
63 3/4x47 1/4in
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The Girlhood of the Virgin
new3/Francisco de Zurbaran-343347.jpg
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The_Girlhood_of_the_Virgin
mk65
ca.1660
Oil on canvas
29x21"
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Crucifixion
new3/Francisco de Zurbaran-844898.jpg
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Crucifixion
mk65
1650s
Oil on canvas
104x38'
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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