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Kopf eines jungen Madchens mit Hals-und Haarband
new18/Max Buri-449526.jpg
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Kopf_eines_jungen_Madchens_mit_Hals-und_Haarband
mk208
um 1906
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Oberhaslerin
new18/Max Buri-573652.jpg
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Oberhaslerin
mk208
um 1906
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Siesta
new18/Max Buri-895883.jpg
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Siesta
mk208
1907-1910
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Hedy Buri mit Puppe
new18/Max Buri-722389.jpg
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Hedy_Buri_mit_Puppe
mk208
1908
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Politiker
new18/Max Buri-997933.jpg
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Politiker
mk208
um 1908
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Max_Buri
1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content.
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