Rosa Bonheur

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 Rosa Bonheur Weaning the Calves oil painting artist
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     Weaning the Calves
     new26/Rosa Bonheur-786757.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Weaning_the_Calves
1879(1879) Medium oil on canvas Dimensions 65.1 x 81.3 cm (25.6 x 32 in) cjr

 Rosa Bonheur From the Marmara Sea oil painting artist
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     From the Marmara Sea
     new26/Rosa Bonheur-674365.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  From_the_Marmara_Sea
circa 1890(1890) Medium oil on canvas Dimensions 21.5 X 40.5 cm cyf

 Rosa Bonheur Mounted Indians Carrying Spears oil painting artist
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     Mounted Indians Carrying Spears
     new26/Rosa Bonheur-433796.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Mounted_Indians_Carrying_Spears
1890(1890) Medium oil on cardboard Dimensions 13.75 X 19 in cyf

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     Rosa_Bonheur
    1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .

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