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Portrait of King Augustus III of Poland
new24/Pietro Antonio Rotari-954863.jpg
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Portrait_of_King_Augustus_III_of_Poland
1755(1755)
Oil on canvas
108 ?? 86 cm (42.5 ?? 33.9 in)
cjr
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Portrait of Grand Duchess Yekaterina Alexeyevna
new24/Pietro Antonio Rotari-754354.jpg
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Portrait_of_Grand_Duchess_Yekaterina_Alexeyevna
1761 (?)
Medium Oil on canvas
Dimensions 60 x 48 cm (23.6 x 18.9 in)
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Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland
new24/Pietro Antonio Rotari-683496.jpg
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Portrait_of_Marie_Kunigunde_of_Saxony_(1740-1826),_Abbess_of_Thorn_and_Essen,_daughter_of_Augustus_III_of_Poland
ca. 1755(1755)
Oil on canvas
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Maria Antonia of Bavaria
new24/Pietro Antonio Rotari-986686.jpg
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Maria_Antonia_of_Bavaria
1755(1755)
Medium Oil on canvas
Dimensions 107 x 86 cm (42.1 x 33.9 in)
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Portrait of a Young Girl
new24/Pietro Antonio Rotari-679483.jpg
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Portrait_of_a_Young_Girl
18th century
Medium Oil on canvas
Dimensions ? x cm
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Pietro_Antonio_Rotari
Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg)
Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden
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