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Minerva dressing
new23/Lavinia Fontana-456585.jpg
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Minerva_dressing
1613(1613)
Oil on canvas
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Minerva dressing
new24/Lavinia Fontana-565589.jpg
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Minerva_dressing
Date 1613(1613)
Medium Oil on canvas
cyf
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Holy Family with Saints
new24/Lavinia Fontana-655885.jpg
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Holy_Family_with_Saints
Oil on canvas, 127 x 104.1 cm
Date 1578(1578)
cjr
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Assumption of the Virgin
new24/Lavinia Fontana-868358.jpg
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Assumption_of_the_Virgin
Oil on canvas, 192 x 115 cm
Date 1583(1583)
cjr
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Holy Family with Saints
new24/Lavinia Fontana-445633.jpg
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Holy_Family_with_Saints
Oil on canvas, 127 x 104.1 cm
Date 1578(1578)
cyf
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Lavinia_Fontana
Italian Painter, 1552-1614
Daughter of Prospero Fontana. She was trained by her father and followed his Mannerist style. Her first recorded works, which date from 1575, were small paintings for private devotion, such as the Holy Family (Dresden, Gemeldegal.). By 1577 she had become established as a portrait painter in Bologna. Works of this date include the Self-portrait at the Harpsichord (Rome, Gal. Accad. S Luca) and the portrait of Senator Orsini (Bordeaux, Mus. B.-A.). Her portrait style reflects the formality of central Italian models as well as the naturalistic tendencies of the north Italian tradition. The elegantly costumed Orsini is shown seated at a table, with a suite of rooms opening behind him, a setting recalling such Florentine portraits of the 1530s as Agnolo Bronzino's Bartolommeo Panciatichi (Florence, Uffizi). Lavinia used a similar setting for other portraits, including the Gozzadini Family (1584; Bologna, Pin. N.). Female sitters are also shown in elaborate dress, with particular attention paid to details of embroidery and jewels, and they are often accompanied by small dogs
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