LANCRET, Nicolas

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 LANCRET, Nicolas Solemn Session of the Parliament for KingLouis XIV,February 22.1723 oil painting artist
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     Solemn Session of the Parliament for KingLouis XIV,February 22.1723
     new4/LANCRET, Nicolas-396888.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Solemn_Session_of_the_Parliament_for_KingLouis_XIV,February_22.1723
mk68 Oil on canvas Paris,Louvre c.1723 France

 LANCRET, Nicolas Company in the Park oil painting artist
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     Company in the Park
     new22/LANCRET, Nicolas-944963.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Company_in_the_Park
64,5 x 69,5 cm Museu Calouste Gulbenkian, Lisbon Artist:LANCRET, Nicolas Title: Company in the Park, 1701-1750, French , painting , genre

 LANCRET, Nicolas Lady and Gentleman with two Girls and a Servant oil painting artist
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     Lady and Gentleman with two Girls and a Servant
     new22/LANCRET, Nicolas-295969.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Lady_and_Gentleman_with_two_Girls_and_a_Servant
1742 Oil on canvas, 89 x 98 cm National Gallery, London Artist:LANCRET, Nicolas Title: Lady and Gentleman with two Girls and a Servant, 1701-1750, French , painting , genre

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     LANCRET,_Nicolas
    French painter (b. 1690, Paris, d. 1743, Paris). French painter, draughtsman and collector. He was one of the most prolific and imaginative genre painters of the first half of the 18th century in France, and, although after his death he was long regarded as a follower and imitator of Antoine Watteau, his work is markedly personal and often innovative. He began training as an engraver but soon apprenticed himself to Pierre Dulin (1669-1748), a moderately successful history painter; by 1708 he had enrolled as a student at the Academie Royale de Peinture et de Sculpture, Paris. At an unknown date he entered the workshop of the genre and decorative painter Claude Gillot, who had been Watteau's master. This move signalled an important change of direction away from the history painting pursued by his friend Francois Lemoyne. Two contemporary biographers, Ballot de Sovot and D?zallier D'Argenville

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