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Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg
DAVID, Gerard11.jpg
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Pilate's_Dispute_with_the_High_Priest;_The_Holy_Women_and_St_John_at_Golgotha_dfg
1480-85
Oil on panel, 45 x 42,5 cm (each)
Koninklijk Museum voor Schone Kunsten, Antwerp
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Pilate's Dispute with the High Priest fdg
DAVID, Gerard12.jpg
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Pilate's_Dispute_with_the_High_Priest_fdg
1480-85
Oil on panel, 45 x 42,5 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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The Holy Women and St John at Golgotha dfv
DAVID, Gerard13.jpg
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The_Holy_Women_and_St_John_at_Golgotha_dfv
1480-85
Oil on panel, 45 x 42,5 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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The Transfiguration of Christ df
DAVID, Gerard14.jpg
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The_Transfiguration_of_Christ_df
1520
Oil on panel
O.L. Vrouwekerk, Bruges
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The Annunciation dg02
DAVID, Gerard15.jpg
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The_Annunciation_dg02
1506
Panel
Metropolitan Museum of Art, New York
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DAVID,_Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,
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