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Style life
new17/Willem Claesz Heda-762933.jpg
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Style_life
mk186
1637 Antwerp museum Mayer van the Bergh
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Style life
new17/Willem Claesz Heda-759969.jpg
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Style_life
mk186
1637 Antwerp museum Mayer van the Bergh
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Still life
new20/Willem Claesz Heda-534457.jpg
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Still_life
mk244
1631
Oil on canvas
54x82cm
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Stilleben
new24/Willem Claesz Heda-663894.jpg
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Stilleben
Date 1629
Medium Oil on panel
Dimensions 46 ?? 69.2 cm (18.1 ?? 27.2 in)
cyf
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Stilleben
new24/Willem Claesz Heda-533575.jpg
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Stilleben
1634(1634)
Medium Oil on panel
Dimensions 43 ?? 57 cm (16.9 ?? 22.4 in)
cyf
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Willem_Claesz_Heda
1594-1682
Dutch
Willem Claesz Heda Galleries
Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).
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